Things Fall Apart ***Chinua Achebe

Things Fall Apart
Chinua Achebe




Context

A lbert Chinualumogu Achebe was born on November 16, 1930, in Ogidi, a large village in Nigeria. Although he was the child of a Protestant missionary and received his early education in English, his upbringing was multicultural, as the inhabitants of Ogidi still lived according to many aspects of traditional Igbo (formerly written as Ibo) culture. Achebe attended the Government College in Umuahia from 1944 to 1947. He graduated from University College, Ibadan, in 1953. While he was in college, Achebe studied history and theology. He also developed his interest in indigenous Nigerian cultures, and he rejected his Christian name, Albert, for his indigenous one, Chinua.

In the 1950s, Achebe was one of the founders of a Nigerian literary movement that drew upon the traditional oral culture of its indigenous peoples. In 1959, he published Things Fall Apart as a response to novels, such as Joseph Conrad’s Heart of Darkness, that treat Africa as a primordial and cultureless foil for Europe. Tired of reading white men’s accounts of how primitive, socially backward, and, most important, language-less native Africans were, Achebe sought to convey a fuller understanding of one African culture and, in so doing, give voice to an underrepresented and exploited colonial subject.

Things Fall Apart is set in the 1890s and portrays the clash between Nigeria’s white colonial government and the traditional culture of the indigenous Igbo people. Achebe’s novel shatters the stereotypical European portraits of native Africans. He is careful to portray the complex, advanced social institutions and artistic traditions of Igbo culture prior to its contact with Europeans. Yet he is just as careful not to stereotype the Europeans; he offers varying depictions of the white man, such as the mostly benevolent Mr. Brown, the zealous Reverend Smith, and the ruthlessly calculating District Commissioner.

Achebe’s education in English and exposure to European customs have allowed him to capture both the European and the African perspectives on colonial expansion, religion, race, and culture. His decision to write Things Fall Apart in English is an important one. Achebe wanted this novel to respond to earlier colonial accounts of Africa; his choice of language was thus political. Unlike some later African authors who chose to revitalize native languages as a form of resistance to colonial culture, Achebe wanted to achieve cultural revitalization within and through English. Nevertheless, he manages to capture the rhythm of the Igbo language and he integrates Igbo vocabulary into the narrative.

Achebe has become renowned throughout the world as a father of modern African literature, essayist, and professor of English literature at Bard College in New York. But Achebe’s achievements are most concretely reflected by his prominence in Nigeria’s academic culture and in its literary and political institutions. He worked for the Nigerian Broadcasting Company for over a decade and later became an English professor at the University of Nigeria. He has also been quite influential in the publication of new Nigerian writers. In 1967, he co-founded a publishing company with a Nigerian poet named Christopher Okigbo and in 1971, he began editing Okike, a respected journal of Nigerian writing. In 1984, he founded Uwa ndi Igbo, a bilingual magazine containing a great deal of information about Igbo culture. He has been active in Nigerian politics since the 1960s, and many of his novels address the post-colonial social and political problems that Nigeria still faces.

Plot Overview

O konkwo is a wealthy and respected warrior of the Umuofia clan, a lower Nigerian tribe that is part of a consortium of nine connected villages. He is haunted by the actions of Unoka, his cowardly and spendthrift father, who died in disrepute, leaving many village debts unsettled. In response, Okonkwo became a clansman, warrior, farmer, and family provider extraordinaire. He has a twelve-year-old son named Nwoye whom he finds lazy; Okonkwo worries that Nwoye will end up a failure like Unoka.

In a settlement with a neighboring tribe, Umuofia wins a virgin and a fifteen-year-old boy. Okonkwo takes charge of the boy, Ikemefuna, and finds an ideal son in him. Nwoye likewise forms a strong attachment to the newcomer. Despite his fondness for Ikemefuna and despite the fact that the boy begins to call him “father,” Okonkwo does not let himself show any affection for him.

During the Week of Peace, Okonkwo accuses his youngest wife, Ojiugo, of negligence. He severely beats her, breaking the peace of the sacred week. He makes some sacrifices to show his repentance, but he has shocked his community irreparably.

Ikemefuna stays with Okonkwo’s family for three years. Nwoye looks up to him as an older brother and, much to Okonkwo’s pleasure, develops a more masculine attitude. One day, the locusts come to Umuofia—they will come every year for seven years before disappearing for another generation. The village excitedly collects them because they are good to eat when cooked.

Ogbuefi Ezeudu, a respected village elder, informs Okonkwo in private that the Oracle has said that Ikemefuna must be killed. He tells Okonkwo that because Ikemefuna calls him “father,” Okonkwo should not take part in the boy’s death. Okonkwo lies to Ikemefuna, telling him that they must return him to his home village. Nwoye bursts into tears.

As he walks with the men of Umuofia, Ikemefuna thinks about seeing his mother. After several hours of walking, some of Okonkwo’s clansmen attack the boy with machetes. Ikemefuna runs to Okonkwo for help. But Okonkwo, who doesn’t wish to look weak in front of his fellow tribesmen, cuts the boy down despite the Oracle’s admonishment. When Okonkwo returns home, Nwoye deduces that his friend is dead.

Okonkwo sinks into a depression, neither able to sleep nor eat. He visits his friend Obierika and begins to feel revived a bit. Okonkwo’s daughter Ezinma falls ill, but she recovers after Okonkwo gathers leaves for her medicine.

The death of Ogbuefi Ezeudu is announced to the surrounding villages by means of the ekwe, a musical instrument. Okonkwo feels guilty because the last time Ezeudu visited him was to warn him against taking part in Ikemefuna’s death. At Ogbuefi Ezeudu’s large and elaborate funeral, the men beat drums and fire their guns. Tragedy compounds upon itself when Okonkwo’s gun explodes and kills Ogbuefi Ezeudu’s sixteen-year-old son.

Because killing a clansman is a crime against the earth goddess, Okonkwo must take his family into exile for seven years in order to atone. He gathers his most valuable belongings and takes his family to his mother’s natal village, Mbanta. The men from Ogbuefi Ezeudu’s quarter burn Okonkwo’s buildings and kill his animals to cleanse the village of his sin.

Okonkwo’s kinsmen, especially his uncle, Uchendu, receive him warmly. They help him build a new compound of huts and lend him yam seeds to start a farm. Although he is bitterly disappointed at his misfortune, Okonkwo reconciles himself to life in his motherland.

During the second year of Okonkwo’s exile, Obierika brings several bags of cowries (shells used as currency) that he has made by selling Okonkwo’s yams. Obierika plans to continue to do so until Okonkwo returns to the village. Obierika also brings the bad news that Abame, another village, has been destroyed by the white man.

Soon afterward, six missionaries travel to Mbanta. Through an interpreter named Mr. Kiaga, the missionaries’ leader, Mr. Brown, speaks to the villagers. He tells them that their gods are false and that worshipping more than one God is idolatrous. But the villagers do not understand how the Holy Trinity can be accepted as one God. Although his aim is to convert the residents of Umuofia to Christianity, Mr. Brown does not allow his followers to antagonize the clan.

Mr. Brown grows ill and is soon replaced by Reverend James Smith, an intolerant and strict man. The more zealous converts are relieved to be free of Mr. Brown’s policy of restraint. One such convert, Enoch, dares to unmask an egwugwu during the annual ceremony to honor the earth deity, an act equivalent to killing an ancestral spirit. The next day, the egwugwu burn Enoch’s compound and Reverend Smith’s church to the ground.

The District Commissioner is upset by the burning of the church and requests that the leaders of Umuofia meet with him. Once they are gathered, however, the leaders are handcuffed and thrown in jail, where they suffer insults and physical abuse.

After the prisoners are released, the clansmen hold a meeting, during which five court messengers approach and order the clansmen to desist. Expecting his fellow clan members to join him in uprising, Okonkwo kills their leader with his machete. When the crowd allows the other messengers to escape, Okonkwo realizes that his clan is not willing to go to war.

When the District Commissioner arrives at Okonkwo’s compound, he finds that Okonkwo has hanged himself. Obierika and his friends lead the commissioner to the body. Obierika explains that suicide is a grave sin; thus, according to custom, none of Okonkwo’s clansmen may touch his body. The commissioner, who is writing a book about Africa, believes that the story of Okonkwo’s rebellion and death will make for an interesting paragraph or two. He has already chosen the book’s title: The Pacification of the Primitive Tribes of the Lower Niger.

Character List

Okonkwo - An influential clan leader in Umuofia. Since early childhood, Okonkwo’s embarrassment about his lazy, squandering, and effeminate father, Unoka, has driven him to succeed. Okonkwo’s hard work and prowess in war have earned him a position of high status in his clan, and he attains wealth sufficient to support three wives and their children. Okonkwo’s tragic flaw is that he is terrified of looking weak like his father. As a result, he behaves rashly, bringing a great deal of trouble and sorrow upon himself and his family.


Nwoye - Okonkwo’s oldest son, whom Okonkwo believes is weak and lazy. Okonkwo continually beats Nwoye, hoping to correct the faults that he perceives in him. Influenced by Ikemefuna, Nwoye begins to exhibit more masculine behavior, which pleases Okonkwo. However, he maintains doubts about some of the laws and rules of his tribe and eventually converts to Christianity, an act that Okonkwo criticizes as “effeminate.” Okonkwo believes that Nwoye is afflicted with the same weaknesses that his father, Unoka, possessed in abundance.


Ezinma - The only child of Okonkwo’s second wife, Ekwefi. As the only one of Ekwefi’s ten children to survive past infancy, Ezinma is the center of her mother’s world. Their relationship is atypical—Ezinma calls Ekwefi by her name and is treated by her as an equal. Ezinma is also Okonkwo’s favorite child, for she understands him better than any of his other children and reminds him of Ekwefi when Ekwefi was the village beauty. Okonkwo rarely demonstrates his affection, however, because he fears that doing so would make him look weak. Furthermore, he wishes that Ezinma were a boy because she would have been the perfect son.


Ikemefuna - A boy given to Okonkwo by a neighboring village. Ikemefuna lives in the hut of Okonkwo’s first wife and quickly becomes popular with Okonkwo’s children. He develops an especially close relationship with Nwoye, Okonkwo’s oldest son, who looks up to him. Okonkwo too becomes very fond of Ikemefuna, who calls him “father” and is a perfect clansman, but Okonkwo does not demonstrate his affection because he fears that doing so would make him look weak.

Mr. Brown - The first white missionary to travel to Umuofia. Mr. Brown institutes a policy of compromise, understanding, and non-aggression between his flock and the clan. He even becomes friends with prominent clansmen and builds a school and a hospital in Umuofia. Unlike Reverend Smith, he attempts to appeal respectfully to the tribe’s value system rather than harshly impose his religion on it.

Reverend James Smith - The missionary who replaces Mr. Brown. Unlike Mr. Brown, Reverend Smith is uncompromising and strict. He demands that his converts reject all of their indigenous beliefs, and he shows no respect for indigenous customs or culture. He is the stereotypical white colonialist, and his behavior epitomizes the problems of colonialism. He intentionally provokes his congregation, inciting it to anger and even indirectly, through Enoch, encouraging some fairly serious transgressions.

Uchendu - The younger brother of Okonkwo’s mother. Uchendu receives Okonkwo and his family warmly when they travel to Mbanta, and he advises Okonkwo to be grateful for the comfort that his motherland offers him lest he anger the dead—especially his mother, who is buried there. Uchendu himself has suffered—all but one of his six wives are dead and he has buried twenty-two children. He is a peaceful, compromising man and functions as a foil (a character whose emotions or actions highlight, by means of contrast, the emotions or actions of another character) to Okonkwo, who acts impetuously and without thinking.

The District Commissioner - An authority figure in the white colonial government in Nigeria. The prototypical racist colonialist, the District Commissioner thinks that he understands everything about native African customs and cultures and he has no respect for them. He plans to work his experiences into an ethnographic study on local African tribes, the idea of which embodies his dehumanizing and reductive attitude toward race relations.

Unoka - Okonkwo’s father, of whom Okonkwo has been ashamed since childhood. By the standards of the clan, Unoka was a coward and a spendthrift. He never took a title in his life, he borrowed money from his clansmen, and he rarely repaid his debts. He never became a warrior because he feared the sight of blood. Moreover, he died of an abominable illness. On the positive side, Unoka appears to have been a talented musician and gentle, if idle. He may well have been a dreamer, ill-suited to the chauvinistic culture into which he was born. The novel opens ten years after his death.

Obierika - Okonkwo’s close friend, whose daughter’s wedding provides cause for festivity early in the novel. Obierika looks out for his friend, selling Okonkwo’s yams to ensure that Okonkwo won’t suffer financial ruin while in exile and comforting Okonkwo when he is depressed. Like Nwoye, Obierika questions some of the tribe’s traditional strictures.

Ekwefi - Okonkwo’s second wife, once the village beauty. Ekwefi ran away from her first husband to live with Okonkwo. Ezinma is her only surviving child, her other nine having died in infancy, and Ekwefi constantly fears that she will lose Ezinma as well. Ekwefi is good friends with Chielo, the priestess of the goddess Agbala.

Enoch - A fanatical convert to the Christian church in Umuofia. Enoch’s disrespectful act of ripping the mask off an egwugwu during an annual ceremony to honor the earth deity leads to the climactic clash between the indigenous and colonial justice systems. While Mr. Brown, early on, keeps Enoch in check in the interest of community harmony, Reverend Smith approves of his zealotry.

Ogbuefi Ezeudu - The oldest man in the village and one of the most important clan elders and leaders. Ogbuefi Ezeudu was a great warrior in his youth and now delivers messages from the Oracle.

Chielo - A priestess in Umuofia who is dedicated to the Oracle of the goddess Agbala. Chielo is a widow with two children. She is good friends with Ekwefi and is fond of Ezinma, whom she calls “my daughter.” At one point, she carries Ezinma on her back for miles in order to help purify her and appease the gods.

Akunna - A clan leader of Umuofia. Akunna and Mr. Brown discuss their religious beliefs peacefully, and Akunna’s influence on the missionary advances Mr. Brown’s strategy for converting the largest number of clansmen by working with, rather than against, their belief system. In so doing, however, Akunna formulates an articulate and rational defense of his religious system and draws some striking parallels between his style of worship and that of the Christian missionaries.

Nwakibie - A wealthy clansmen who takes a chance on Okonkwo by lending him 800 seed yams—twice the number for which Okonkwo asks. Nwakibie thereby helps Okonkwo build up the beginnings of his personal wealth, status, and independence.

Mr. Kiaga - The native-turned-Christian missionary who arrives in Mbanta and converts Nwoye and many others.

Okagbue Uyanwa - A famous medicine man whom Okonkwo summons for help in dealing with Ezinma’s health problems.

Maduka - Obierika’s son. Maduka wins a wrestling contest in his mid-teens. Okonkwo wishes he had promising, manly sons like Maduka.

Obiageli - The daughter of Okonkwo’s first wife. Although Obiageli is close to Ezinma in age, Ezinma has a great deal of influence over her.

Ojiugo - Okonkwo’s third and youngest wife, and the mother of Nkechi. Okonkwo beats Ojiugo during the Week of Peace.

Analysis of Major Characters

Okonkwo

Okonkwo, the son of the effeminate and lazy Unoka, strives to make his way in a world that seems to value manliness. In so doing, he rejects everything for which he believes his father stood. Unoka was idle, poor, profligate, cowardly, gentle, and interested in music and conversation. Okonkwo consciously adopts opposite ideals and becomes productive, wealthy, thrifty, brave, violent, and adamantly opposed to music and anything else that he perceives to be “soft,” such as conversation and emotion. He is stoic to a fault.

Okonkwo achieves great social and financial success by embracing these ideals. He marries three women and fathers several children. Nevertheless, just as his father was at odds with the values of the community around him, so too does Okonkwo find himself unable to adapt to changing times as the white man comes to live among the Umuofians. As it becomes evident that compliance rather than violence constitutes the wisest principle for survival, Okonkwo realizes that he has become a relic, no longer able to function within his changing society.

Okonkwo is a tragic hero in the classical sense: although he is a superior character, his tragic flaw—the equation of manliness with rashness, anger, and violence—brings about his own destruction. Okonkwo is gruff, at times, and usually unable to express his feelings (the narrator frequently uses the word “inwardly” in reference to Okonkwo’s emotions). But his emotions are indeed quite complex, as his “manly” values conflict with his “unmanly” ones, such as fondness for Ikemefuna and Ezinma. The narrator privileges us with information that Okonkwo’s fellow clan members do not have—that Okonkwo surreptitiously follows Ekwefi into the forest in pursuit of Ezinma, for example—and thus allows us to see the tender, worried father beneath the seemingly indifferent exterior.

Nwoye

Nwoye, Okonkwo’s oldest son, struggles in the shadow of his powerful, successful, and demanding father. His interests are different from Okonkwo’s and resemble more closely those of Unoka, his grandfather. He undergoes many beatings, at a loss for how to please his father, until the arrival of Ikemefuna, who becomes like an older brother and teaches him a gentler form of successful masculinity. As a result, Okonkwo backs off, and Nwoye even starts to win his grudging approval. Nwoye remains conflicted, however: though he makes a show of scorning feminine things in order to please his father, he misses his mother’s stories.

With the unconscionable murder of Ikemefuna, however, Nwoye retreats into himself and finds himself forever changed. His reluctance to accept Okonkwo’s masculine values turns into pure embitterment toward him and his ways. When missionaries come to Mbanta, Nwoye’s hope and faith are reawakened, and he eventually joins forces with them. Although Okonkwo curses his lot for having borne so “effeminate” a son and disowns Nwoye, Nwoye appears to have found peace at last in leaving the oppressive atmosphere of his father’s tyranny.

Ezinma

Ezinma, Okonkwo’s favorite daughter and the only child of Ekwefi, is bold in the way that she approaches—and even sometimes contradicts—her father. Okonkwo remarks to himself multiple times that he wishes she had been born a boy, since he considers her to have such a masculine spirit. Ezinma alone seems to win Okonkwo’s full attention, affection, and, ironically, respect. She and he are kindred spirits, which boosts her confidence and precociousness. She grows into a beautiful young woman who sensibly agrees to put off marriage until her family returns from exile so as to help her father leverage his sociopolitical power most effectively. In doing so, she shows an approach similar to that of Okonkwo: she puts strategy ahead of emotion.

Mr. Brown

Mr. Brown represents Achebe’s attempt to craft a well-rounded portrait of the colonial presence by tempering bad personalities with good ones. Mr. Brown’s successor, Reverend Smith, is zealous, vengeful, small-minded, and manipulative; he thus stands in contrast to Mr. Brown, who, on the other hand, is benevolent if not always beneficent. Mr. Brown succeeds in winning a large number of converts because he listens to the villagers’ stories, beliefs, and opinions. He also accepts the converts unconditionally. His conversation with Akunna represents this sympathetic stance. The derisive comments that Reverend Smith makes about Mr. Brown after the latter’s departure illustrate the colonial intolerance for any kind of sympathy for, and genuine interest in, the native culture. The surname Brown hints at his ability to navigate successfully the clear-cut racial division between the colonizers and the colonized.